By Deborah Clarke
Over the years, vehicles have helped to outline the stories and self-perceptions of ladies in complicated and infrequently unforeseen methods. whilst girls take the wheel, relatives constitution and public area are reconfigured and re-gendered, making a context for a literary culture within which the auto has served as an alternative for, an get away from, and an extension of the house, in addition to a surrogate mom, a monetary guard, and a method of self-expression.
Driving ladies examines the intersection of yank fiction―primarily yet now not completely by way of women―and vehicle tradition. Deborah Clarke argues that concerns serious to twentieth-century American society―technology, mobility, domesticity, and agency―are again and again articulated via women's relationships with autos. ladies writers took unusually severe curiosity in automobile tradition and its import for contemporary lifestyles, because the motor vehicle, replete with fabric and symbolic that means, recast literal and literary woman energy within the car age.
Clarke attracts on a variety of literary works, either canonical and well known, to record women's fascination with automobiles from many views: ancient, mental, monetary, ethnic. Authors mentioned contain Wharton, Stein, Faulkner, O’Connor, Morrison, Erdrich, Mason, Kingsolver, Lopez, Kadohata, Smiley, Senna, Viramontes, Allison, and Silko. via investigating how automobiles can functionality as woman house, mirror woman id, and reshape girl business enterprise, this attractive research opens up new angles from which to strategy fiction via and approximately girls and strains new instructions within the intersection of literature, expertise, and gender.